Is typography an art? This question is like asking if photography is an art. Certainly, there are photographers and typographers whose ideas and techniques raise their work to the level of art.
But at their core, both photography and typography perform a utilitarian function. The aesthetic component is separate. Being an effective typographer is more about good skills than good taste.
Ultimately, typography is another word for font. Fonts are part of typography, but typography goes beyond fonts.
Typography is a central component of design. It gives us an understanding of the heritage behind our craft. It is one of the primary ways we pass on information to others. Imagine a website, a magazine or even TV without text. Typography is a subject that raises passions and it can become a consuming obsession.
From a descriptive and simplistic viewpoint, typography is the arrangement of type. It can mean different things depending on whom you ask. How typography is used in a design is deeply rooted in its overall theme, tone and message.
It works with your layout, grid and colour choice to create a well-rounded design. Your choice of typefaces, and your technique of setting type, gives your composition its character, pace and style. Not only does it give the copy legibility, it also helps the reader gain a greater insight into the subject of the design.
Typography has to be oriented to your actual readers, not idealised ones. Writers often get attached to idealised readers because those readers are easier to please. But it is wise to see your text as an actual reader will. You will not get it perfectly right, but a rough approximation is better than no approximation at all.
Here are some of the most important typographic considerations that designers can take into account:
Hierarchy and scale:
If all type was the same size, then it would be difficult to know the most important information on the page. In order to guide the reader, headings are usually large, sub-headings are smaller, and body type is smaller still. Size is not the only way to define hierarchy; it can also be achieved with colour, spacing and weight.
Leading:
Leading describes the vertical space between each line of type. It is called this because strips of lead were originally used to separate lines of type in the days of metal typesetting.
For legible body text that is comfortable to read, a general rule is that your leading value should be greater than the font size - anywhere from 1.25 to 1.5 times.
Tracking and kerning:
Kerning describes the act of adjusting the space between characters to create a harmonious pairing. It is similar to, but not the same as, ‘tracking’. This relates to the spacing of all characters and is applied evenly.
Measure:
The term ‘measure’ describes the width of a text block. If you are seeking to achieve the optimum reading experience, it is clearly an important consideration.
Legibility:
This is the ease with which one letterform can be distinguished from the next. It feeds into, but is not the same as, readability.
Orphan:
The first line of a new paragraph stranded at the bottom of a page. This is considered to be as bad as the name suggests.
Despite these simple illustrations of how influential typography can be, despite having the same text with different typefaces, it still has a level of integration and theme that makes it one of the most powerful tools in the designer’s toolbox. Until we meet again, fill your life with memories as opposed to regrets. Enjoy life and stay on top of your game.
• NB: The columnist welcomes feedback at deedee21bastian@gmail.com
ABOUT THE COLUMNIST: Deidre Marie Bastian is a professionally trained graphic designer/marketing co-ordinator with qualifications of M.Sc., B.Sc., A.Sc. Ms Bastian has trained at institutions such as: Miami Lakes Technical Centre, Success Training College, the College of the Bahamas, Nova South Eastern University, Learning Tree International, Langevine International and Synergy Bahamas.
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